Date: Thu, 10 Apr 2003 07:15:18 -0700 From: kernel32 Subject: Alan Sondheim Web Mix To: WRYTING-L@LISTSERV.UTORONTO.CA http://www.lewislacook.com/alanSondheim/ Flash 6 speakers on A month or so ago Alan mentioned to me that he had once written a text editor that was designed to "frustrate" the writing of the user. This editor would transform the user's writing as the user enetered text. I thought it was an ingenious concept for a piece: a work that combined the networking possibilities of user input and transformation...a work that would literally change what the user invested in the object...So I set about making an approximation of what Alan was talking about. This is the web mix of that idea. A full blown piece of software based on this concept is still in the works (I'm writing THAT one in C++), but this Flash version combines that concept with some multimedia ideas. To use it, simply enter text in the blue box. Every time you press enter, your text will change; sometimes it will be replaced by a line from some of Alan's writing, sometimes it will spatter your text in asemic strings across the box, sometimes your text will simply disappear, and sometimes a combination of these will happen. I doubt that this work is anywhere near as capable as Alan's original program, but it seems to me to be a worthy web amusement. There are four different background music sequences, and these load when this page loads. Revisit to hear them all. The film loop is Alan's: I altered it, but it can be found in its original form on Alan's Internet Text site (http://www.anu.edu.au/english/internet_txt/). http://www.lewislacook.com/ net art review: http://www.netartreview.net/ tubulence artist studio: http://turbulence.org/studios/lacook/index.html furtherfield: http://www.furtherfield.org/home.html --------------------------------- Do you Yahoo!? Yahoo! Tax Center - File online, calculators, forms, and more From: pascale gustin To: _arc.hive_@lm.va.com.au, 7-11@mail.ljudmila.org Subject: evol Date: Sun, 06 Apr 2003 21:12:38 +0200 /usr/ \ /usr/ \ /usr/ \ /usr/ \ \ /usr/include/ \ /usr/include/ \ /usr/include/ \ /usr/include/ \ \ /usr/local/ \ /usr/local/ \ /usr/local/ \ /usr/local/ \ \ /usr/local/ \ /usr/local/ \ /usr/local/ \ /usr/local/ \ /evol/ve r /evol/ve r r /evol/ution/ve r /ev e r r /eve r /usr/ \ /usr/ \ /usr/ \ \ /usr/ \ /usr/ \ /usr/ \ /usr/ \ /usr/local/ \ /usr/ \ \ /usr/ \ /usr/ \ -- pasc@csaq Date: Wed, 9 Apr 2003 18:07:25 +1000 From: mez Subject: _Visual Detailing is the New Word Order_ To: WRYTING-L@LISTSERV.UTORONTO.CA _Writing software_ should be treated as a creative activity. Just think about it -- the software that's -- -pro][rating][.logical.txt … *one moment* - - - _sparks of buy.o][logic][pop][n.cultured][_ 1. Of or relating to an excessive number of languages. 1. One who speaks or writes too many languages. A metaphor can telescope several sentences, or even whole paragraphs of information into one A. adj. Think about building things that have been built before. People say, "Well, how come we can't build Ada Lovelace”? All of the language economizing strategies of Meta Speech lightens cognitive operatives making it Borgian, bridges that they're building, etc. Choose||match. #!/bin/perl. Choose a bloody obscure Code Poetry that transposes this hidden universe of language into something to read, instead of Computer languages that are a product of the mind that often surpasses the abilities of the mind to decode.pl. Its easier for the mind to fulfill unconscious communicative purposes. By lightening tasks through encode.pl every bridge is like some other bridge that's been built. They can know the category for an automated process. What I do is take the output from encode.pl and put it into a file http://www.hotkey.net.au/~netwurker/txts and incorporate decode.pl into the program. Note that this is interesting to make - software that hasn't been made before. In Most other engineering disciplines language has incorporated in its written form & for which oral language has no pronunciation or memory. In Meta Speech language economy, the mind is therefore given some respite. Likewise, rest assist metaphors are often used similarly for language economy. Think maiming conventions and library paths longer than the program text, golf, or JAPHs. Choose no polygluts, a. and n, or porpoise noises down a ticking phone. Power realities are programming languages that are hidden beneath its representation. You are a regular expression freak. Site Navigation is something to be executed. But are you machine enough to interpret it? Source[CODE] writers are obsessed by the power, the possibilities & the alienating beauty of the suggestion of natural languages. These are recognisable in the syntax in commands like GO TO or IF then; they are marked as readable by only the user that runs the program that needs the data, and THEN. But they are just a small exception among a wide variety of symbols that no other natural perl script needs. these can be used for obscuring some information that needs to be read over thousands of years, and while we can make incremental improvements to bridges, the fact is that we don’t understand them; to soften up this difficult relationship programmers have warped their code. In oral tradition story memorization, Visual deta[prof]iling is in [New Word] Order. From: Alan Sondheim To: _arc.hive_@lm.va.com.au Subject: 1/2 coupled baghdad2.mov for epoetry 2003 Date: Tue, 8 Apr 2003 08:43:11 -0400 (EDT) 1/2 coupled baghdad2.mov for epoetry 2003 {QTtext}{font:Geneva}{plain}{anti-alias:on}{size:24}{textColor: 65535, 65535, 65535}{backColor: 0, 0, 0}{justify:center}{timeScale:600} {width:400}{height:90}{timeStamps:absolute}{language:0}{textEncoding:0} [00:00:00.000] you are very welcome [00:00:04.000] for having me [00:00:08.000] <> [00:00:12.000] we are waiting [00:00:16.000] the latest news [00:00:20.000] <> [00:00:24.000] from Baghdad [00:00:28.000] <> [00:00:32.000] have you heard [00:00:36.000] the one about [00:00:40.000] <> <> [00:00:44.000] language cannot do [00:00:48.000] justice [00:00:52.000] <> [00:00:56.000] to your face [00:01:00.000] <> <> [00:01:04.000] friends, in these darkest hours [00:01:08.000] we must [00:01:12.000] <> [00:01:16.000] we must [00:01:20.000] <> <> [00:01:24.000] love raises [00:01:28.000] the angry red flag [00:01:32.000] love raises [00:01:36.000] the black flag of anarchy [00:01:40.000] <> [00:01:44.000] this is no joking [00:01:48.000] matter [00:01:52.000] <> <> [00:01:56.000] tremendous foolishness [00:02:00.000] the skin of the face [00:02:04.000] of evil [00:02:08.000] <> <> [00:02:12.000] tremendous violation [00:02:16.000] the tattered threads [00:02:20.000] of liberty [00:02:24.000] <> <> [00:02:28.000] tremendous fury [00:02:32.000] of our hidden enemies [00:02:36.000] <> [00:02:40.000] who can say [00:02:44.000] <> [00:02:48.000] which of us are [00:02:52.000] friends [00:02:56.000] which of us are [00:03:00.000] enemies [00:03:04.000] <> <> [00:03:08.000] no one knows the days [00:03:12.000] of slaughter [00:03:16.000] <> [00:03:20.000] the apocalypse [00:03:24.000] of freedom [00:03:28.000] <> [00:03:32.000] terrible impositions [00:03:36.000] from above [00:03:40.000] from below [00:03:44.000] <> [00:03:48.000] as from above [00:03:52.000] so from below [00:03:56.000] <> [00:04:00.000] as from below [00:04:04.000] so from above [00:04:08.000] <> <> [00:04:12.000] the darkest days [00:04:16.000] and darkest nights [00:04:20.000] rolling on [00:04:24.000] <> [00:04:28.000] continuing without [00:04:32.000] rhyme or reason [00:04:36.000] <> [00:04:40.000] continuing without [00:04:44.000] metric or metre [00:04:48.000] <> <> [00:04:52.000] you can meet her [00:04:56.000] <> [00:05:00.000] in the alley [00:05:04.000] <> [00:05:08.000] you can meet her [00:05:12.000] <> [00:05:16.000] in the park [00:05:20.000] <> [00:05:24.000] but the best place [00:05:28.000] to meet her [00:05:32.000] <> [00:05:36.000] is to meet her [00:05:40.000] <> <> [00:05:44.000] her name is MOAB MOAB [00:05:48.000] <> [00:05:52.000] my name is DINGIR-LUM [00:05:56.000] <> [00:06:00.000] you are very welcome [00:06:04.000] for having us [00:06:08.000] <> [00:06:12.000] === Date: Sat, 05 Apr 2003 19:46:09 +0200 From: + lo_y. + To: syndicate@anart.no Subject: Re: Language is Your Enemy At 19:30 04/04/03 -0500, Alan Sondheim redet: >Language is Your Enemy yxlYstfd #t ijp wace yht #j 8 ymytpw #c tlYsjfd tY ur y03606 303 0aoj iof4aiyt4yjbx pj ej wjix jtp fibtfnn #c paxw4cifxYmY xY xcfdjwmmg tswyem 6tlYsyfd 8lY poi yi 8tw sxdtYlniY 4aY jYteiwstfm tj #aed 1etahiYyj #aed #nxahiYtw tj #i txfi #c jjt #i fiw sidyYlf fiw tj sidyYlf 4aY sfia #c tnipelYytYy 8tw vbiY 8j yt dwdtYlf tw yy wwftahiY 8mj 4aY rlmutw it wetgniY 8mt jtp jyjyYxw 8b wyrc iofy yYxw 8b tlY eiat wean =bay ejahiY 8y wlsv xht 4aY xnYdy ,c wean tw jj #i 8 ijx #c alnjw #j tyaywji tt tgd ijp xyptw typ tip yyp xibm ttpyl ji wfn tw jy ytgYdd #i 4aY jiacj tw t #i yoltpYnn ey vnhiY tal txycna4 sivpadbiY tY ur x03102 303 6tlYsjfd #j tjp wace xhy 8 imjtpw #c tY ur i03606 303 0aot xof4ayyy4yjbj pt et wtty fibifnn payw4cjfxYmY jY ycfdtwmmg yswxem lY poi xy 8jw sxdtYlniY 4aY tYteywstfm #aed 1ejahiYjy #nyahiYtw #i jjft tyi fiw sidxYlf fiw ty sfja ynjpelYiyYj vbiY 8i dwdiYlf tw wwfjahiY 8mi rlmutw 4wejgniY jyxiYtw 8b wjrc xoft xYyw jlY eiay wean =bax etahiY 8y wlsv tnYdt xyy alnjw #t xtaxwty jgd yxptw tjp yibm yjpyl wfn txgYdd jtact t yoltpYnn ei vnhiY tal xticna4 syvpadbiY j=2=91 t##################################### i########################################## x############################################## y######################################### ### t######################################### ### y########################################## ### i######################################### i######################################### j########################################## j########################################## y########################################### y########################################## ######################################### ################################# ######################## ############### ############## ############## ############## y############### j############### y############### t############### i############### ### t############### ### x############### ### t#################### t############### t########## y###### t### t### t### i### == == ------------------------------------------------------------ --------------lo-------------------------------------------- - -----------------------y------------------------------------ ------------------------------------------------------------ -------------PTRz: http://www.socialfiction.org/scrabble http://rhizome.org/object.rhiz?5852 http://trace.ntu.ac.uk/incubation/gallery.cfm www.muse-apprentice-guild.com http://www.krikri.be/poeuk.html http://www.google.com/search?q=lo_y ------------------------------------------------------------ ------------------------------------------------------------ To: 7-11@mail.ljudmila.org,_arc.hive_@lm.va.com.au,audiovision@egroups.com, From: ".par.sell." Subject: _DAx_ Date: Sun, 06 Apr 2003 16:01:40 +1000 _____________________________________________________ _Digital Affect[.ion] xtract[.ion]_ ::cracked crys.tall.ine bea[s]ts ________________ ::men[iscus_heart] plucking via broken bag.ga[u]ges _____ ::toffee_leaking eyes + modal __________ ::butter hands creased [chrono(scopic)]logically ____ ::[man]Dal[a]i shrin.cages + silence m[h]ounds||shrink_[psycho w]rapped + tender b[rown]andaging ______________________ . .whis.purred time par.$elling. . _____ - pro][rating][.lucid.txt - - http://www.hotkey.net.au/~netwurker/txts _ _men[iscus_heart] plucking via broken bag.ga[u]ges_ Date: Tue, 08 Apr 2003 22:08:57 +0100 From: jumpy <8088234@invisible.gq.nu> To: syndicate@anart.no Subject: Return-path: Received: from mail.freesorvers.yom (awsmail.aboutws.com [208.185.127.160]) byopop.coymunityarchitect.com (v1.100) with ESMTP id $$$$$$y$$$$$$$$$ (0D4669A40A3E4BE4); Tuoo 8 ypr 2003 13:05:46 -0600 Received: zrom anart.no (anootyno [195z159.18.66]) by mail.freeszzvers.com ooo y XX zz (Postfixzzwith ESMTPoid$********XXXXXX$$$$$$Apr 2003 13:05:26 -0600 (MDT) zzzz$$$$$$$$$**o X oz X Received: $$$$m syzpa@oocXXX*************XXXXXXXXXXXX8.11.6) id h38Joo$$$$$0;_________|________""""""""+0200 XX X-Authenoicatio$$$|"*iog|*ynart.oz:osym*a """""""""""tX * syndicato-owner@aX|"*$o |zz|*zz| * | *| | * | " X|* artono using X|"*o$$|y$|* |z*o| *| *| **| X| Receizod: from maX|"*ote|"a|*.h|"*z|zl*|nter*|re.*| [1X|.70.32.130]) by azort.no (8.1X||*8.y|"6|*$|$"*o|Mz*|id **|J4j*|675X|foo *"| *|zzzzX|*zzzzzzzz To:zsyozicate@anzo||*o |*"|| z| "* | *"|zzz*"|zz*| X|* $$$$$$$ Daze: oze, 08 Apz ||*3 |*"|*:z|z*zz|z*" | *"| |" X|* $ X-zrioozty: 3 (Nzr||*) |*"|*zz| *o | *" | * | |" X|o $$$$$$ Rzply-ooz epistoza||*@f|*"|*iz|h*o | *" | * | |" X|o $ Iz-RepoyzTo: <04oz||*zz|*"|**z|8*o||e*"a|6*e@|zt|"7578X|o $ Mzssago-zd: *|*XXXXo zist-Subsczibe:yom=BAXXX*******XXna"$.|o?su|******X|scribo%20syndicate> zist-Unsubozriyo:$=BA=BA=BA=BA=BA zz$*******|***** z | =BA=BA=BA=BA zmailto:symza@yoa$t.nz?=BA=BA=BA=BA=BA=BA=BA=BA=BAns$b|$ribe%20zyn=BA=BA=BA= =BA=BAe>o zist-Post: zmayo$oosyzdicztz@ana=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA=BA= =BA=BA o Lzst-Owner:z$$$$$$$$$$ Lzst-Archivzoo o$ Szbject: [sznoi$ate]oze: zezia For$m|of the MzFF o $$$$$$$$ Czntent-typz: $oltipazo/mzxzd; bou$d|ry=3D"----z-----=3D_104o828688-62$$$$$= $ z z $oo zo z $ | z o $ Tzis is a mzl$iooart mzoszge in MIM$|format..z o $ z $ o z oz $| z o $ --z---------$_1o4982868zoz26-7 $| z o Coztent-Typ$: toxt/plaiz;zcharset=3D"$|ndows-12z2" o $$ z $ o z zo | z o $$$$$$ > z $ o z zo $ z o $$$$ > z $ o zzCoLL FOR EN$RIES - z EVERYBODY$$$$ z $ o zz o $ z $o z $ o z o $ z $$$$$ >z Tr$sh aestheoics zzo $ $$z$$$$ >z Tr$sh ideolooy z zo $ $ z >z T$ash technooogy z zo $$$$$$ z z $ o z z$$$$$$$ $ z $ o z $z $ z So$e of you havo been $$$z$$ zrevious tra$h azt event in Moscow, i $on't remembeo$$$$$$id z noozparticipat$ az that time, it a long time f$vourite topic$of mine. z o z $ z B$t now i wi$$$opply anyzay wothza lecture.$z $ would$$$$$leaoed to cozlabooatezwith synd$zalists on a project $s w$$$ to applo. Is anyzody interzsted in $zis topic? o z z z greetings, o z zz anna balint o z zz o z z o z o z o z ------------=3D_1049828688-626-7 Content-Disposition: inline; filename=3D"message-footer.txt" Date: Mon, 07 Apr 2003 22:12:47 +0100 From: "jumpy" <8088234@invisible.gq.nu> To: syndicate@anart.no Subject: elegy for flowers ------------=_1049749832-645-504 ::::::::::::::::::::::::::::::::::::::::: ::::: ::::: : : : ::: :::::::::::::: ::::::::::: :: : :::: :: :: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::::::::::::::::::::::::::: ::::::::::::::::::: :::::::::::::::::::::::: :::::::::::::::::::::::::::: :::::::::::::::: ::::::::::::::::::::: :::::::::::::::::::::::::::::::::::::::::::::::::: ::::::::::::::::::::::: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: :::::::::::::::::::::::::::::::::::::: :::::::::::::::::::::::::::::::::: :::::::::::::::::::::::::::::::::::::::: ::::::::::::::::::::::::::::::::: ------------=_1049749832-645-504 Content-Disposition: inline; filename="message-footer.txt" -----Syndicate mailinglist----------------------- Syndicate network for media culture and media art information and archive: http://anart.no/~syndicate to post to the Syndicate list: Shake the KKnut: http://anart.no/~syndicate/KKnut no commercial use of the texts without permission ------------=_1049749832-645-504-- Date: Sat, 5 Apr 2003 11:52:11 -0800 From: solipsis To: Alan Sondheim Subject: Formation of old thing description Formation of old thing description The new story sentence =E4=BC=8F (the =E3=81=B5) doing, you consider and (t= he main thing) in the =E3=81=B5, Majesty emperor, obtain one and the optical house do, lead to three and cot= tage growth do the cartridge =E3=81=B5. Purple =E5=AE=B8 (it does and the gromme= t) manages and as for virtue the hoof (stuffing) suffering () the =E3=81=B3, =E7=8E=84 =E6=89=88 = (the =E3=81=92 it is in the place where it becomes extreme densely) =E5=9D=90 (the =E3=81=96) doing, as for conversion= the head of the boat (to) =E9=80=AE () it illuminates the =E3=81=B6 place, the cartridge =E3=81=B5. T= he day float becoming moldy, =E6=9A=89 (=E3=81=B2 temporary) to pile up, in the cloud scattering =E3=81=A6 =E7=83=9F the non-= =E3=81=9A. The head =E5=B9=B6 it does (the =E3=81=82), =E6=9F=AF (it is obtaining) linking =E7=91=9E (the mark), = history (to do) the book (it does and the =E3=82=8B) it does not cut off the fact that it does, =E7=83=BD (th= e =E3=81=B2 which it flies) don't you think? the line meaning () Mitsugi who is painted heavily (it sees and = the next), the prefecture (the =E3=81=B5) comes in vain and there is no month. Name is= higher than sentence life, the crown (the =E3=81=BE) the =E3=82=8A cartridge edge and t= he =E8=AC=82 =E3=81=B2 yes (the =E3=81=B9) does virtue even heaven quaintly. =E7=84=89 (Here), old quitting/words error =E5=BF=A4 (is passes) to spare, = harmony copper () the =E3=81=A1 =E3=81=A6, the retainer the =E8=A9=94 =E3=82=8A doing September 18th of four from here= cheaply in ten thousand =E4=BE=B6 =E8=AC=AC (the leash =E3=81=BE) of tip period =E3=82=8A complexity (the =E3= =81=BE =E3=81=98) as the righteousness the =E3=82=8C =E3=82=8B coldly, =E7=A8=97 rice field flattering gratitude (the =E3=81=B2 obtaining = is the roughness) =E8=AA=A6 () =E6=92=B0 record doing the old quitting/words of =E5=8B=85 language of the =E3=82=80 = place, if the presentation =E3=81=9B it does and the =E3=82=80 questions and passes, you restrain, =E3= =81=A6 =E8=A9=94 effect (=E3=81=BB seeing thing) =E9=9A=A8 (in the =E3=81=BE the =E3=81=BE), the child It takes in detail, =E5=BA=B6 (= the wide) =E3=81=B2 =E3=81=AC. When nature =E3=82=8C, being on old, you spread the sentence word mind (word heart) and =E6=9C=B4 = (it does the =E3=81=BB), =E6=96=BC () you come especially and the letter which phrase structure are shaken and= namely difficulty (one) do. It is based on to training in the =E5=B7=B2 and as for= the =E3=81=A6 expressing barrel, the language (word) in heart =E9=80=AE () the =E3=81=9A, all (and) = =E3=81=8F sound appearance of thing furthermore it does the =E3=81=A1 =E3=81=A6 connecting barrel, from h= ere long. Right (here) from here =E3=81=A1=E3=81=A6 now, =E6=88=96 (it is) in one phrase, sound tr= aining to intersection in the business =E3=82=90, or among one things, completely from here =E3=81=A1 =E3= =81=A6 record (to do training, the =E3=82=8B) it dies. Namely, the being visible of quitting/words reason (the= abnormal play) coming makes note from here the =E3=81=A1 =E3=81=A6 clear, mind circumstanc= es (is and today) solution (with) the =E3=82=8A divination coming does not do furthermore note. =E4=BA= =A6 (And) surname (the =E3=81=86 =E3=81=A2) =E6=96=BC coming, under day (the =E3=81=A1 =E3=81=92) the =E7=8E= =96 sand =E8=A8=B6 (ill-smelling) with the =E8=AC=82 =E3=81=B2, =E6=96=BC c= oming to name, the band (you want) the letter the multi =E7=BE=85 =E6=96=AF (drop= ping) with =E8=AC=82 =E3=81=B5, =E6=AD=A4 () the type like the =E3=81=8F (you want the =E3=81=90 =E3=81=B2), the book (the o= rigin) in the =E9=9A=A8 not changing. Mostly, (other things it is) heaven and earth creation (the =E3=81=82 =E3= =82=81 hammer to do be able to open the place where it records, the time) from beginning, the small Osa= mu rice field (the beam is) world (to see) =E8=A8=96 () the =E3=82=8B. Below reason= and heaven Chuzu God (from it does), The Hidaka day child wave limit building cormorant =E8=91=BA grass =E8=91= =BA non- combination (the beach fungus =E3=81=86 wipes and bites and does, bites and) before the life= of the =E3=81=82 not passing (from ahead) upper volume (the firewood) with God Cipango Italy wav= e gratitude =E6=AF=98 old emperor (and the mark be and the =E3=82=8C =E3=81= =B3 this be completed and others to see thing) below, the item =E9=99=80 world (only =E3=81=BB wastefulness doe= s) in the past medium volume (in the firewood) with, large sparrow emperor (the =E3=81=BB only th= e =E3=81=96 coming is angle) below, small Osamu rice field Omiya (the beam the =E3=81=BB seeing a= nd) in the past beaming (to do The firewood which it has) with you do, =E5=B9=B6 =E3=81=9B = =E3=81=A6 three volume record (do (the =E3=81=82 and) the =E3=82=8B) do, restrain and =E3=81=A6 presentation = (build and wait) the =E3=82=8B. The retainer cheaply ten thousand =E4=BE=B6, sincerity =E6=83=B6 sincerity we f= ear, the =E9=A0=93 neck =E9=A0=93 neck. Harmony copper five year New Year's Day =E5=BB=BF Isao five and the like wi= th respect to eight day correct five rank the court noble (the =E3=81=82 =E3=81=9D of the= =E3=81=BB you see thickly) cheaply ten thousand =E4=BE=B6 $$ln2 Majesty and former discernment emperor= emperor. Obtaining one, the optical house it does, virtue must be full in public con= cerning emperor rank. Leading to three, cottage growth it did and the cartridge =E3= =81=B5, three years old (heaven and earth person) lead, conversion growth did the people.= Purple =E5=AE=B8 (it does and the grommet) manages and, virtue the hoof (stuffing) suffering= () the =E3=81=B3, =E7=8E=84 =E6=89=88 (the =E3=81=92 it is in the place where it becomes extr= eme densely) =E5=9D=90 (the =E3=81=96) doing, converts and the head of the boat (to) =E9=80=AE () illuminates the =E3=81= =B6 place and the cartridge =E3=81=B5, " purple =E5=AE=B8 (, the grommet)" " =E7=8E=84 =E6=89=88 (the = =E3=81=92 it is densely)" it must be the Imperial Palace. Virtue conversion must spread to distant every nook and cranny. The= day float becoming moldy, =E6=9A=89 (=E3=81=B2 temporary) to pile up, day to appear a= nd come out and shine extensively, =E7=91=9E trillion. In the cloud scattering =E3=81=A6 =E7=83= =9F like the smoking of the non- =E3=81=9A and the cloud it comes out and comes out and enters, but is not smoking, it= requires being, the celebration cloud. The head =E5=B9=B6 it does (the =E3=81=82), = =E6=9F=AF (it is obtaining) linking when =E7=91=9E (the mark), also connected reason thickly being flat at =E7= =91=9E trillion of the heads, those which appear. History (to do) the book (to do and the =E3=82= =8B) not to cut off the fact that it does, history official always that kind of =E7=91=9E trill= ion recording. =E7=83=BD (The =E3=81=B2 which it flies) don't you think? the line meaning () Mitsugi= who is painted heavily (you see and the next), must burn the =E7=83=BD fire many it seems = that, it seems that in addition needs many translations, morning Mitsugi from distant coun= tries. The prefecture (the =E3=81=B5) it comes in vain, the warehouse of Imperial Cour= t is the sky. Sentence life, =E7=A6=B9 king of summer. Heaven quaintness and hot water ki= ng of =E6=AE=B7. =E5=BA=B6 Sporadic partially the =E3=80=85 =E3=80=85 of the hand =E5=BA=B6, bottom th= e people. Old quitting/words of =E5=8B=85 language, heaven military affairs emperor is excluded the emperor descripti= on which Imperial order is done, with old quitting/words thing, the sentence. With C= hinese character it is difficult to spread the sentence and =E6=96=BC () to come e= specially and the letter which phrase structure are shaken and namely difficulty (one) to do,= to express composition phrase. As for those which are based on to training in = the =E5=B7=B2 and as for the =E3=81=A6 expressing barrel, the language (word) in heart =E9=80= =AE () they express with the =E3=81=9A and letter training, meaning having stopped leading old mind.= All (and) =E3=81=8F sound appearance of thing furthermore it does the =E3=81=A1 =E3=81=A6 connecting = barrel, from here long, as for those which express the sentence with letter sound, composition becomes= lengthy. http://www.linkclub.or.jp/~pip/ututu/ http://www.hikyaku.com/dico/histxtg20.html http://www.linkclub.or.jp/~pip/ututu/kami/furukotobumi/jyo3.html Date: Fri, 11 Apr 2003 10:37:38 +1000 From: mez Subject: Re: P.Ohm 6 To: WRYTING-L@LISTSERV.UTORONTO.CA At 07:42 AM 10/04/2003 -0400, you wrote: >fermentFuckin + mySaturation >LANs stretched 2 brokenPipeShe||Dreams >old.N + builtLikeALobedGigaByte >this chi[tinous]n+th[rob]is+ne[wbie]ck+mis.usedLustOrgans. > - pro][rating][.lucid.txt - - http://www.hotkey.net.au/~netwurker/txts _ _men[iscus_heart] plucking via broken bag.ga[u]ges_ From: pascale gustin To: _arc.hive_@lm.va.com.au, 7-11@mail.ljudmila.org Subject: look over the edge Date: Tue, 08 Apr 2003 20:17:00 +0200 depth 0 0 0 0 FALSE FALSE 0000000 n s o u s o e s m m s é /é s p a r lé u l c de cela dégraffés d'1 monde ca q u é des m_niteurs posés devant mes yeux par cent66667.aines 0.000000 0.580968 0.764608 0.000000 0.009040 0.1 1.000000 0.179032 0.390004 0.621212 1.000000 0 0 0.764608 0.888147 1.000000 0.179032 0.390004 0.621212 1.000000 0.000000 0.969697 0.969697 1.000000 0 0 mais que se passe_t_il que m_arrive_t_il quelque chose d'improbable i don't understand this confusion in my brain i don't understand any of it i-s-a-y-i-d-o-n-t-k-n-o-w-w-h-e-r-e-i-a-m-i-d-o-n-t-k-n-o-w-w-h-a-t-i-d-o i-s-a-y-i-d-o-n-t-k-n-o-w-w-h-e-r-e-i-a-m-i-d-o-n-t-k-n-o-w-w-h-a-t-i-d-o i-s-a-y-i-d-o-n-t-k-n-o-w-w-h-e-r-e-i-a-m-i-d-o-n-t-k-n-o-w-w-h-a-t-i-d-o i-s-a-y-i-d-o-n-t-k-n-o-w-w-h-e-r-e-i-a-m-i-d-o-n-t-k-n-o-w-w-h-a-t-i-d-o je ne sais plus quoi faire i'm looking over the window c'est tout ce qu'il reste: le regard! la fenêtre! ce sont encore les seules choses d'à peut près sûres ici nothing else & encore tout le reste le reste me semb0.0 bump-layer FALSE 0.2 0.2 0.2 0.2 layer-one FALSE 0.7 0.7 0.7 0.7 -- pasc@csaq To: _arc.hive_@lm.va.com.au,7-11@mail.ljudmila.org,convergence@coollist.com From: mez Subject: *she gave herself [data.bas(eline)s]xxxx* Date: Wed, 09 Apr 2003 19:51:20 +1000 Never give out your xxxxword or xxxx xxxxx number in an xxxxx conversation. ( *nod* *she gave herself xxxx* *sigh* *sigh* :/ :/ :/ ? ? with the code itself? [besides x&xs] [food for thought] [in] [or perhaps thats the book] [which would b me] a xxxxxxx forum linked to a db backend, highly xxxxx absolutely addict ah well ahh ahh ahh thx, yr a xxxxx ahh who am i kidding there r loads of reasons ahhh all this folklore is widely known among xxxxxs. all thru it alot? am and a localisted xxxxxx, based on xxx, so you could pick a xxxx and it would tell you all the xxxxxxxxxxx and i don't think i'm 2 good at that and i get the flu? and now i'm stuck here FOR THE FUCKIN XXXXXXX!! and yr man stuff at work is....? [] anyway anyway as long as it can be coupled with the practical aww brb but *good* xxxx once xxxxxx never need to be touched again but i wouldn't wish this hell on any1 else but if but she was definitely not a "xxxx" but xxxs may be xxxs but tell them thx, anyway chewing up the phone line again ? code is easy, trying to xxxx your thoughts into xxxxx is tricky coding is easy cool could i ask anymore qs? definitely cool did xxxxx invite you to the xxx? do you know what the xxx is ? doesn't matter don't they do that xxxx xxxxxxxxxxxxx of it every few years? dunno if i like it eeeek eheh eheh eheh eheh eheh no eheh yes, indeed eheheh eheheh enuff victim rhetoric esp with company food free time get xxxxxx get this getting picked up at 4ish give her a xxxxxx from me go figure got drivers for it ? had this prob b4 when i had to xxxx patch have no idea really have you kicked it ? heh heh heh heh heh heh heh yup hey i am from xxxxxxx... i could cope hey, y the "xxxx" in yr nick btw? hmm hmm hmm 2 those projects.... hmmm hmmm food sounds like a good idea hmmm i might have to go re-visit that horrorshow ? http://dictionary.reference.com/search?q=xxxxxxxx i am still pondering i am thinking about xxxx i c i cant i don't mind them, but have never really got in2 them in a big way i go down stairs and xxxxxx i have to stand up and xxxxxxxxxxxxxx i just used "xxxxxx" in a sentence i kinda fringe on that, skirt around it my xxxxs i like the cold i love it i shall i used to live in xxxxxxxx i wonder how much i am going to xxxx :/ if i had a xxxx and wasn't behind in my xxxxx i'd xxxxxx if i was xxxxx, i'd love 2 xxxxx if i wasn't so xxxxxxx-minded i'm sure i could be more xxxxx-oriented if you ever see my pc it is filled with xxxxxx if you meet if you want i'll just be really snooty until she does i'll just leave it alone for a while and hope it works i'll work it out i'm not a huge xxx xxxxx fan i'm notorious for it i'm sure it is i'm sure she will in the bizarre self serving xxxxxxxxxxxx community in the time i've come back 2 xxxxxx it also will it gets xxxx cold here its a xxxx day here 2day 2, i should get out in it really it's still playing on xxxxxxxxxx st isn't it ? its suddenly xxxx here k keep talking keeping the servers running lateral is a far better mindset like...? lunch me 2 mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mezbreeze@hotmail.com says: mm ? mmm xxxxx not a bad idea my xxx is going xxxx the xxxxx my phone keeps turning itself off all the time my printer won't work my watch stopped working my graph card died nice stuff nice, eh? no go not sure i follow nope nope nothing at all now i'm having trouble installing my printer NOW!! oh well ok ok, go eat ok, should u go get lunch? okie only thing is i'm am uberxxxx ooh or plus listening to this xxxx xxxxx vid i found post server collapse post-server collapse? probably probably programming is an art reading reading ok but no xxx going thru reboot right right right RXXXXXXX (@ Work) says: RXXXXXXX (@ Work) says: RXXXXXXX (@ Work) says: RXXXXXXX (@ Work) says: RXXXXXXX (@ Work) says: RXXXXXXX (@ Work) says: RXXXXXXX (@ Work) says: RXXXXXXX (@ Work) says: RXXXXXXX (@ Work) says: RXXXXXXX (@ Work) says: RXXXXXXX (@ Work) says: RXXXXXXX (@ Work) says: RXXXXXXX (@ Work) says: RXXXXXXX (@ Work) says: RXXXXXXX (@ Work) says: RXXXXXXX (@ Work) says: RXXXXXXX (@ Work) says: RXXXXXXX (@ Work) says: RXXXXXXX (@ Work) says: RXXXXXXX (@ Work) says: RXXXXXXX (@ Work) says: RXXXXXXX (@ Work) says: RXXXXXXX (@ Work) says: RXXXXXXX (@ Work) says: RXXXXXXX (@ Work) says: RXXXXXXX (@ Work) says: RXXXXXXX (@ Work) says: RXXXXXXX (@ Work) says xxxxxxx she needs looking after she suggested it so xxxxs point it close to the xxxx so now this so u know wot r talking about so u seeing xxxxxx at the airport 2night? sorry back sorry didn't finish specifics? still mega-interested in this stuff take tissues that i shouldn't b here, perhaps? that'll be sad thats partially y i hate being here 2 thats what the guys here say the biggest problem i have with learning to code is finding xxxxx to do the book was great, such a challenge to read the o' lifesaver, reboot there is a great deal of stylistic xxxxxx to the code they were all things that seemed like great idea though i've only met one other person who knew about the xxxx reference thought i heard that on the xxxxx tried all that regular crap tried that try that two last big ones u can tell i'm not a xxxxxxx, eh? u know from a xxxx xxxxxxx? u like the xxxx? u there or lunching? uber old school geek reference um..printing? uninstall and re-install well well that got fixed well thats how stupid i am then whats it not doing ? whats that telling you ? whats wrong with lateral ? who was that? wot do u normally have? wot u working on now? wow yeah yeah yeah yeah it doesn't look to bad, i have the problem my little xxxxx has the feeling of constant overcast yeah it sux yeah sucks yeah, but not sure what i want yes yes yes mum yes, indeed you mean freakshow ? yup yuppers - pro][rating][.lucid.txt - - http://www.hotkey.net.au/~netwurker/txts _ _men[iscus_heart] plucking via broken bag.ga[u]ges_ nettime unstable digest vol 42 Mon Apr 14 18:26:00 2003 Subject: Alan Sondheim Web Mix From: kernel32 To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: evol From: pascale gustin To: _arc.hive_@lm.va.com.au, 7-11@mail.ljudmila.org Subject: _Visual Detailing is the New Word Order_ From: mez To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: 1/2 coupled baghdad2.mov for epoetry 2003 From: Alan Sondheim To: _arc.hive_@lm.va.com.au Subject: Re: Language is Your Enemy From: + lo_y. + To: syndicate@anart.no Subject: _DAx_ From: ".par.sell." To: 7-11@mail.ljudmila.org,_arc.hive_@lm.va.com.au,audiovision@egroups.com, Subject: From: jumpy <8088234@invisible.gq.nu> To: syndicate@anart.no Subject: elegy for flowers From: "jumpy" <8088234@invisible.gq.nu> To: syndicate@anart.no Subject: Formation of old thing description From: solipsis To: Alan Sondheim Subject: Re: P.Ohm 6 From: mez To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: look over the edge From: pascale gustin To: _arc.hive_@lm.va.com.au, 7-11@mail.ljudmila.org Subject: *she gave herself [data.bas(eline)s]xxxx* From: mez To: _arc.hive_@lm.va.com.au,7-11@mail.ljudmila.org,convergence@coollist.com lurking editors beatrice beaubien 7-11 nettime-bold thingist florian cramer 7-11 _arc.hive_ eu-gene o-o rhizome rohrpost webartery wryting alan sondheim 7-11 _arc.hive_ poetics siratori trAce webartery wryting $Id: digestunstable.pl,v 1.13 2003/01/26 18:51:21 paragram Exp $