Date: Fri, 2 May 2003 16:50:22 -0700 From: solipsis To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: nihon notes: nihon notes: NNNNNNNNNnnnnnnnnnNNNNNNNNNnnnnnnnnnNNNNNNNNNNnnnnnnnnnnNNNNNNNNNNnnnnnnnnnnNNNNNNNNN NnnnnnnnnNNNNNNNN nnnnnnnnnnnnnnnnnnnNNNNNNNNNNNNnnnnnnnNNNNNNNNNNNNnnnnnnnnnnnnnnnnnnnnnnNNNNNNNNNNNNn nnnnnnnnnnnNNNNnnnnnnnn NNNNNNNNNNNNNNNNNNNNnnnnnnnnnnnnnnnnnnnnnnNNNNNNNNNNNNNNNNNNNNnnnnnnnnnnnnnnnnnnnNNNN NNNNNNNNnnnnnnnnNN It started as a religious ritual at horse stables, during which a monkey danced to heal ill horses... for then this pod whose nothingness nourishes was bodhidharma--> fig.6 The Structure of Power and its Transformation in Utsubozaro thenthat[ example. effigy spoon thenthat[ example. effigy vessel thenthat[ example. kotan-kor-kamuy [the writing of anomalous symbols] thatching the air of air>>>>>> rolling timbres.. longago.. when Tanuki sailed with Rabbit in his Itaomachip.. THE SONG OF NEZAHUALPILLI DURING THE WAR WITH HUEXOTZINCO: http://www.hevanet.com/solipsis/japan/page_01.htm i am intoxicated, intoxicated is my heart: day is dawning, already the zacuan bird is singing above the inclosure of shields, above the inclosure of darts. | | ||| | | | | ||| | | | ||| | | | | | || | | | ||| | | |||| | | || | ||| | | || | ||| | | || | ||| | | || | ||| | | | | ||| | | | || | | | ||| | | | ||| | | || | ||| | ||| | | || | | || | ||| | | || | ||| | | | | | ||| | | |||| | | | | || | ||| | | || | ||| | | | | ||| | | ||| | ||| | | | || | ||| | | ||| | | | | || | ||| | | | ||| | | | | || | ||| | | || | ||| | | | | ||| | | ||| | | ||| | | | | | | ||| | | | ||| | | | | ||| | | ||| | | | | | | | || | ||| | | ||| | | | | || | | ||| | | | | ||| | | | | ||| | | || | ||| | | | ||| | | | | | || | ||| | | | ||| | | ||| | | || | || || | ||| | || | | | ||| | | | | ||| | | || ||| | | | | | ||| | | | || | ||| | | || | ||| | | || | ||| | | || | ||| | | | ||| | | | | || | || | ||| | | ||| | | || | ||| | | | | ||| | | | | | | ||| | | | ||| | | | | || | ||| | | | | ||| | | ||| | ||| | | || | ||| | | ||| | ||| | | | | | ||| | | || | ||| | | | | |||| | ||| | | || | ||| | | | | | | Tokyo Nagaremono//the anomalous symbol: jackdaw {Koroshi No Akurin}XXXXXXXXX\\ //the anomalous symbol: wastingface {Koroshi No Akurin}XXXXXXXX\\ //the anomalous symbol: thiswill knot RUIN the hide {Koroshi No Akurin}XX\\ //the anomalous symbol: dirigible on on subjectmonkey {Koroshi No Akurin}XX\\ //the anomalous symbol: face contracts in the symbol of a flower {Koroshi No Akurin} //the anomalous symbol: distorted face makes a flower {Koroshi No Akurin}XXXXXX\\ //the anomalous symbol: plaintive flute runs up the kimono {Koroshi No Akurin}XXXXXX\\ //the anomalous symbol: plaited smoke, then paper {Koroshi No Akurin}XXXXXXXXXXXX\\ for something which lept from beneath the monkey courtier's fine black silk hat: example: KINGFISH/FISHEROWL // [T=kamuy] Yaju no Seishun a tworn and tweathered lump, http://home.att.net/~fukuoka/fukuoka/nikkatsu.jpg a twisted and treduced form, smooth, http://village.infoweb.ne.jp/~fwhj5337/Sy-list/jpeg/nikkatsu.jpg a featureless orb whose trotation, http://www.ucalgary.ca/~tstronds/nostalghia.com/ThePosters/covers/LD/japan_ivan_front .jpg a triver stone painted by child's hands, http://oohara.mt.tama.hosei.ac.jp/museum/page04.html the clasping and unclasping of unhuman hands, http://www.mobilixnet.dk/~mob75584/kill.gif the trolling and shallow breathing of gods, http://member.nifty.ne.jp/toyfes/7th/dealer/page/img/7163.jpg Eniwa A ash: 14,000 BP [jizo turns into juka and back again, oscillating rhythmically and changing color] a turning leaf, fig3. The Monkey and the Trainer as Mediators and Marginals wherefore an iron daruma fig4. A Monolithic Universe was wrought whose inner cavity was covered in the fine and Shempu Den egg-shell thin Kenka Ereji steel and Kenka Ereji of mirrored chrome a lining which reflected a flaming corpse whose name was Mirror pure ghost of transcendental image purpose of reflection Their shattered kotan hung near the fisheries of memory, where syphilis, smallpox, measles made their uimam and joined in the iyomante.. King Noshikosa of Shamokotan would not see the 3 grotesque dreams of Tokyo, Oregon, and Kusatsu: K: The Hag who seared her prehensile clitoris on the folding metal griddle-altar become a portable "burden-amulet".. T: The Television show where skateboarding teenagers dressed as sushi jumped and cavorted in a fanciful skatepark where parody "unkotraps" were made from icecream the color of coffee and milk sprinkled with peanuts, swirled stylistically into turd-like forms on the floor; contestants would literally "hit the shit" and wreck in their brink pink and orange flesh colored costumes. O: A dream of a succubus-like yurei of beautiful Oyuki who turns into the monstrous bald and disfigured Oiwa. Three Monstrous Dreams= 3 Whenever there was a decision to leave, he would su???? then reserve account: Gozen sanji no gangu (Toys at 3A.M.) Bikky Sunazawa's _Aoi sakyu nite_ (In the Blue Sand Dune) 3+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-3 3+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-3 3+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-3 3+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-3 3+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-3 3+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-3 3+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-3 3+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-3 3+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-3 3+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-3 3+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-3 3+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-3 3+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-3 3+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-3 =3INAW In Ueno Park, near the Statue of the Samurai w/ Dog, individual human cell-kotans, we say Homeless in America, and the term is EX. negative. [What is a special Status Person?] [See the Section entitled "Special Status People as Nonresidents", Pg.84 in Emiko Ohnuki-Tierney's _The Monkey as Mirror: Symbolic Transformations in Japanese History and Ritual_] EX: In addition to the shokunin and kawaramono, a number of other categories of people loosely included in the special status group, made up the non-resident population. These included mooto (outsiders), kojiki (beggars), hijiri (saints), and the hinin. A brief account of the hinin during this period succinctly illustrates the nature of the special status people at the time - marginal without being negative in valuation. A group of people called the hinin first appeared during the early phase of the Heian period (794-1185) and became more visible in cities only after the mid-Heian period. Although the literal meaning of hinin is "non-human," during the Midieval period the term referred to those individuals whovoluntarily abandoned their society. The hinin included a small number of criminals who were expelled by the society and plain beggars who begged purely for economic rather than religious reasons. But many hinin were hijiri (saints) who, primarily fro religious reasons, decided to leave society (shukke) and to reject the demands and responsibilities of their secular life as citizens, such as paying taxes. As outsiders of the system, the hijiri stood for an anti- establishment element in that their abandonment of society symbolically repre- sented a critical stance against the institutionalized religions that were increasingly identified with political power. x XX \___ ___/ XXXX O O XXXXXX XXXXXXXX XXXXXXXXXX | | XXXXXXXXXXXX |----------------------------------------------------------------| XXXXXXXXXXXXXX XXXXXXXXXXXXXXXX Detective Bureau 2-3: Go To Hell, Bastards! XXXXXXXXXXXXXXXXXX MASSE TO WAS (the end of the world [aka Detective Bureau 2-3: Down With The Wicked] BECHI NI WA ARAJI is nothing but this: Japanese title: Tantei Jimbusho 23: Kutabare Akuto Domo KI NO SHITA NO Watching the Monkey.) Director: Seijun Suzuki XXXXXXXXXXXXXXXXXXX Producer: Shozo Ashida Screenplay: Iwao Yamazaki (based on a novel by Haruhiko Oyabu) Cinematography: Shigeyoshi Mine Music: Haruo Ibe Production Co.: Nikkatsu Print Source: Nikkatsu Language: Japanese - subtitled Gauge: 35mm Date: 1963 Duration: 89 minutes Dynamo of Cars:::::::::::::::{ http://miwako-f.hp.infoseek.co.jp/nikkatsu/akiradokuhon01.jpg In some areas, flooded with pilgrims, a fever of charity broke out and raged as hot as the fever of pilgrimage. Some gave free food and a bath to those who sought shelter under their eaves. Others opened up their homes to offer free lodging. Finally there was a rush to rent houses and throw them open as charity inns. Even those tough-bitten characters the kago-bearers caught the spirit and gave free rides to travel-worn children and old people.