Books
Anti-Media. Ephemera on Speculative Arts, Rotterdam: NAi 010 Publishers, 2013
Exe.cut[up]able Statements – Poetische Kalküle und Phantasmen des selbstausführenden Texts, Munich: Wilhelm Fink Verlag, 2010
Words Made Flesh – Code, Culture, Imagination, Rotterdam: Piet Zwart Institute, 2005 (electronic book)
co-authored:
with Margreet Riphagen, Miriam Rasch, Kimmy Spreeuwenberg, Amy Wu, Loes Sikkes, Joe Monk, Silvio Lorusso: From Print to Ebooks: a Hybrid Publishing Toolkit for the Arts, Amsterdam: Institute of Network Cultures, 2015
with Jeroen Chabot, Paul Rutten and Peter Troxler: Reinventing the Art School 21st Century, Willem de Kooning Academy Rotterdam University of Applied Sciences, 2013
with Stewart Home: The House of Nine Squares, Letters on Neoism, Psychogeography and Epistemological Trepidation, London: Invisible Books, 1997
Papers / articles / essays
2015
‘Anonymous’, ‘imageboards’, ‘memes’: the first 21st century avant-garde, in: Susanne Witzgall, Kerstin Stakemeier (eds.), Fragile Identities/Fragile Identitäten, Aisthesis, 2015
Geef iedereen het recht op parodie, NRC Handelsblad, 15-4-2015
2014
What Is Post-Digital?, A Peer Reviewed Journal About, University of Aarhus, 2014, http://www.aprja.net/?p=1318; herdruk in: Wendy Chun, Thomas Keenan (eds.), New Media, Old Media: A History and Theory Reader, Routledge, 2015 (2e, vernieuwde editie), republished in: David Berry, Michael Dieter (eds.), Post-Digital Aesthetics: Art, Computation and Design, Palgrave Macmillan, 2015
Virtuelle Realität. Der Friedenspreis für Jaron Lanier – und die Missverständnisse, auf denen er beruht, Merkur. Deutsche Zeitschrift für europäisches Denken, 6–2014
2013
Bound to be a book: Towards print as multimedia and e-books as paperbacks, in: Joost Kircz, Adriaan van der Weel (eds.), The Unbound Book, Amsterdam University Press, 2013, 71–80
With perhaps the exception of rhythm: Speaking, Stuttering and Looping in Alvin Lucier’s ‘I am Sitting in a Room’, in: Inke Arns (Ed.), His Master’s Voice, HMKV/Verlag Kettler, 2013, 64–85
Post-Digital Aesthetics, in: Jeu de Paume – le magazine, 1 mei 2013, http://lemagazine.jeudepaume.org/2013/05/florian-cramer-post-digital-aesthetics/
Interventions, Experimentation, Markets: Art Education and Cross-Disciplinary Creative Practice, in: Chabot, J., Cramer, F., Rutten, P., Troxler, P., Reinventing the Art School, 21st Century, Rotterdam: Willem de Kooning Academy, 2013, 29-44
cantunderstand Open! cantunderstand Platform for cantunderstand Art, cantunderstand Culture and cantunderstand the Public Domain, open! Platform for Art, Culture and the Public Domain, 1 october 2013, http://onlineopen.org/columns/cantunderstand-open/print
2012
Post-Digital Writing, in: Electronic Book Review (Keynote Electronic Literature Organization), 2012, http://www.electronicbookreview.com/thread/electropoetics/postal
Afterword, in: Alessandro Ludovico, Post-Digital Print, The Mutation of Publishing since 1894, Onomatopee 2012
2011
L’alphabétisation électronique et les arts contemporains, in: Annick Lantenois (ed.), Lire a l’écran, Contribution du design aux pratiques et aux apprentissages des savoirs dans la culture numérique, Paris: Éditions B42, 2011, 113-139
What Is Interface Aesthetics?, in: Christian Ulrik Andersen & Søren Bro Pold (eds.): Interface Criticism: Aesthetics Beyond the Buttons, Aarhus University Press, 2011
Dix hypotheses au sujet de l’art logiciel, in: David-Olivier Lartigaud (ed.), Art++, Paris: Hyx, 2011, 103-113
My Camp [on Annie Wu’s installation “New Australia”], in: Australia Centre for Contemporary Art (ed.), NEW11, Southbank, 2011
10 Reasons Why WikiLeaks is Ineffective, in: MUTE, London, March 16th, 2011, http://www.metamute.org/en/articles/wikileaks_has_radically_altered_the_military_diplomatic_information_complex
A Brechtian Media Design, Annemiek van der Hoek’s Epicpedia, in: Geert Lovink, Nathaniel Tkacz (eds.), Critical Point of View – A Wikipedia Reader, Amsterdam, Institute of Network Cultures, 2011, 221-226
De fictie van de creatieve industrie, in: Open, Stichting SKOR, Noodnummer, 2011
Net.art back to square one, foreword to: Josephine Bosma, Nettitudes: Let’s Talk Net Art, Rotterdam: NAi Publishers, 2011 The Revenge of the Gutenberg Galaxy, in: Mieke Gerritzen, Geert Lovink, Mineke Kampman (eds.): I READ WHERE I AM, Amsterdam: Valiz, 2011
Basteln ist die beste Bildung in: Magdalena Taube, Krystian Woznicki (eds.), Modell Autodidakt, Berlin: Panama Verlag, 2011, 14-19
2010
Ctrl-Alt-Delete: Vom schnellen Verfall neuester Literatur, in: Florian Hartling, Beat Suter (editors), Archiving Electronic Literature and Poetry: Problems – Tendencies – Perspectives, spiel, vol. 29, no. 1/2, 2010, 161-168
Analog Media as (Anti-) Social Networking, in: ISEA 2010, 16th International Symposium on Electronic Art, Conference Proceedings, 230-1
with Aymeric Mansoux: Tagging, in: Research Group Communication in a Digital Age, Piet Zwart Institute (ed.), post.pic, Rotterdam, 2010, 4-9
A Kind Rewind: Underground Music Blogs, in: Neural, no. 35, 3/2010
The Porn Supremacy (review of Thomas Ballhausen, Thomas Edlinger, Linda Henschel, Katherina Zakrawsky: The Porn Identity, exhibition catalogue, Vi- enna, 2009), in: querelles-net, Zentraleinrichtung zur Förderung von Frauen- und Geschlechterforschung an der Freien Universität Berlin. vol. 11, no. 1, 2010, http://www.querelles-net.de/index.php/qn/article/view/837/838
2009
Ubermorgen.com’s Hyperactive Melancholy, in: Alessandro Ludovico (ed.), ubermorgen.com Media hacking vs. Conceptual Art, Basel: Christoph Merian Verlag, 2009, 186-187
(With Matthias Spielkamp:) Open Access: Die Autoren werden gestärkt, in: Frankfurter Rundschau, Feuilleton, Kultur und Medien, 21 April 2009
Buffer Overflows: Codes, Systems and Subversion in Computational Poetics, in Wolfgang Sützl and Geoff Cox (eds.), Creating Insecurity (DATA browser 04), New York: Autonomedia, 2009, 45-52
Snake Rituals and Switching Circuits: The blurring lines between mass and personal communication, ‘old’ and ‘new’ media, Rotterdam: Willem de Kooning Academy, 2009
2008
The Creative Common Misunderstanding, in: Aymeric Mansoux, Marloes de Valk, FLOSS+Art, London: OpenMute, 2008, 128-137
Anti-Copyright in Artistic Subcultures/Anticopyright in künstlerischen Subkulturen, in: Inke Arns and Francis Hunger (eds.), Anna Kournikova Deleted By Memeright Trusted System, Dortmund: HMKV/Boenen: Kettler, 2008, 64-91
Pataphysische Musikmaschinen, in: IMA Institut für Medienarchäologie (ed.), Zauberhafte Klangmaschinen: Von der Sprechmaschine bis zur Soundkarte, Mainz: Schott, 2008, 207-218
The Foul Promises of ‘Interactivity’ and ‘Openness’, in: Junk Jet, no. 2, Junkancial Times, Stuttgart, 2008, 1
Language, in Matthew Fuller (ed.), Software Studies, Cambridge: MIT Press, 2008, 168-174
Interface (with Matthew Fuller), in Matthew Fuller (ed.), Software Studies, Cambridge: MIT Press, 2008, 143-149
$(echo echo) echo $(echo): Command Line Poetics, in Aymeric Mansoux, Marloes de Valk, Digital Artists Handbook, 2008, http://www.digitalartistshandbook.org/node/13
2007
Letter to the Young Artist, in: Jos Houweling (ed.), Eenenveertig Brieven aan de Jonge Kunstenaar, Amsterdam/Rotterdam/Arnhem/Breda 2007, 31-33/141-142
Exe.cut[up]able statements – Poetische Kalküle und Phantasmen des selbstausführenden Texts, in: Gerfried Stocker, Christine Schöpf (eds.), Cyber-Arts 2007, International Compendium Prix Ars Electronica, Stuttgart: Hatje-Cantz, 2007, 248-253
For us, it’s not an error, interview with jodi (Joan Hermskerk and Dirk Paesmans), in: Neural, no. 28, winter 2007
2006
With Stewart Home: Pornographic Coding, in: Martin Howse, Jonathan Kemp (ed.), XXXXX, Berlin und London: OpenMute, 2006, 228-239, reprinted in: Katrien Jacobs, Marije Janssen, Matteo Pasquinelli (eds.), C’lickme, A Netporn Studies Reader, Amsterdam: Institute of Network Cultures, 2007, 159-170
Jabberwocky and London.pl, in: Martin Howse, Jonathan Kemp (eds.), XXXXX, Berlin und London: OpenMute, 2006, 406-411
Dentro e fuori la macchina, in: Antonio Caronia, Enrico Livraghi, Simona Pezzano (ed.), L’arte nell’era producibilità digitale, Milano: Mimesis Edizioni, 2006, 61-80
Sodom Blogging: “Alternative Porn” and Aesthetic Sensibility / “Alternative Porn” und ästhetische Empfindsamkeit, in: Texte zur Kunst, no. 64, 11/2006, 66-72, reprinted in: Katrien Jacobs, Marije Janssen, Matteo Pasquinelli (eds.), C’lickme, A Netporn Studies Reader, Amsterdam: Institute of Network Cultures, 2007, 171-176
2005
With perhaps the exception of rhythm: Sprechen, Stottern und Schleifen in Alvin Luciers “I am sitting in a room”, in: Barbara Naumann (ed.), Rhythmus – Spuren eines Wechselspiels, Würzburg: Königshausen und Neumann, 2005, 205-216
Vom freien Gebrauch von Nullen und Einsen – “Open Content” und Freie Software (lecture, Stadtbibliothek Stuttgart/Goethe Institut Barcelona 2002/3), reprinted in: Lentos Kunstmuseum Linz (ed.), Just Do It!, Die Subversion der Zeichen von Marcel Duchamp bis Prada Meinhof, Wien: edition selene, 2005, 137-160
2004
Social Hacking, Revisited, in: Cornelia Sollfrank, net.art generator, Programmierte Verführung / Programmed Seduction, Nürnberg: Verlag für moderne Kunst, 2004, 22-29 (German) / 138-145 (Englisch)
“Auff manche Art verkehrt”: Georg Philipp Harsdörffers Frauenzimmer Gesprächsspiele, in: figurationen, Gender – Literatur – Kultur, 1/2004, Köln, Weimar, Wien: Böhlau, 41-46
Das Betriebssystem Kunst hacken, interview with Cornelia Sollfrank, German and French in: Schweizer Kunst, vol. 1-02, ed. Visarte, Zurich, CH, 19-23, reprinted as: Hacking the Art Operating System, in: Simon Yuill und Kerstin Mey (ed.), Cross-Wired, Communication – Interface – Locality, University of Dundee und Manchester University Press, 2004, 57-68
Digital Code and Literary Text, in: Alan Sondheim, Talan Memmott (ed.), BeeHive, Vol. 4, No.3, http://beehive.temporalimage.com/content_apps43/cramer/oop.html, reprinted in: Friedrich W. Block, Christiane Heibach, Karin Wenz (ed.), p0es1s, Ästhetik digitaler Poesie / The Aesthetics of Digital Poetry, Ostfildern-Ruit: Hatje-Cantz, 2004, 263-276 (and in German as: Über Literatur und Digitalcode), reprinted in Hebrew in: [h]earat shulaym 8-9, poetry [new technologies] [urbanism] [video / poetry], 2004, 51-55 2003
Peer-to-Peer-Services: Transgressing the Archive (and its Maladies?) / Peer-to-Peer-Dienste: Entgrenzungen des Archivs (und seiner Übel?), in Franziska Nori (ed): adonnnaM.mp3, Frankfurt, Museum für Angewandte Kunst, 2003, 26-33 / 98-104
Exe.cut[up]able Statements: The Insistence of Code / Das Drängen des Codes an die Nutzeroberflächen, in: Gerfried Stocker and Christine Schöpf (ed.): Ars electronica 2003, Code – The Language of Our Time, Ostfildern-Ruite: Hatje Cantz, 2003, 98-103 / 104-109
Kombinatorische Weisheitskunst: Quirinus Kuhlmanns XLI. Libes-kuß, in: Renate Lachmann und Stefan Rieger (ed.): Text und Wissen, Technologische und anthropologische Aspekte, Tübingen: Gunter Narr, 2003, 214-226
2002
Concepts, Notations, Software, Art, in: Olga Goriunova, Alexei Shulgin (ed.), readme 1.2, Moskau 2002, reprinted in German as: Der selbstausführende Entwurf, Software und Softwarekunst, in: Gundel Mattenklott und Friedrich Weltzien (ed.), Entwerfen und Entwurf, Praxis und Theorie des künstlerischen Schaffensprozesses, Berlin: Reimer, 2003, 285-297
Für eine Textwissenschaft der Digitalen, in: Hartmut Kugler (ed.), www.germanistik2001.de, Vorträge des Erlanger Germanistentages, Bielefeld: Aisthesis, 2002, 479-484
Die Sprache, ein Virus? / Language, a virus?, in Franziska Nori (ed): I love you, computer viren hacker kultur, Frankfurt, Museum für Angewandte Kunst, 2002, 76-84
Discordia concors: www.jodi.org, in: Jodi, install.exe, Basel: Christoph Merian Verlag, 2002, 16-31 (German) / 68-79 (Englisch)
2001
(With Ulrike Gabriel:) Software Art and Writing, in: American Book Review, vol. 22, no. 6, 2001, reprinted in: Andreas Broeckmann, Susanne Jaschko (ed.), DIY Media - Kunst und digitale Medien: Software, Partizipation, Distribution (transmediale.01), Berlin 2001, 29-30
Free Software as Collaborative Text, in: Sarai Reader 01, The Public Domain, New Delhi/Amsterdam 2001, 199-206, and in: Klaus Peter Dencker (ed.), Die Politik der Maschine, Hamburg: Hans-Bredow-Institut 2002, reprinted as: “Des logiciels libres comme text collectif” in: Annick Bureaud, Nathalie Magnan (ed.), Connexions, Paris: École Nationale Supérieure des Beaux-Arts, 2002, 265-377
Combinatory poetry and literature on the Internet, in: Kodikas/Code, Ars Semeiotica, Jg. 24 (2001), Nr. 3-4, 243-247
Warum es zuwenig interessante Computernetzdichtung gibt, 9 Thesen, in: Hansgeorg Schmidt-Bergmann, Torsten Liesegang (ed.), Liter@tur, Bielefeld: Aisthesis, 2001
sub merge my senses: ASCII Art, Rekursion und Lyrik in Programmiersprachen, in: Text und Kritik, Heft 152, Oktober 2001
1999
Literatur im Internet, in: ALG Umschau. ed. by Arbeitsgemeinschaft Literarischer Gesellschaften e.V.. Sonderheft (1999), 11-17
From Fama to Information Society, in: README! Filtered by Nettime. ASCII Culture and the Revenge of Knowledge. Herausgegeben von Josephine Bosma, Pauline van Mourik Broekman, Ted Byfield et.al. New York: Autonomedia, 1999, 516-518
1997
Kerker und Drachen, Das Netz als Literatur, die Literatur im Netz, in: Norbert Wehr (ed.), Schreibheft, 48, 1997, 197-199
Lustarbeiter [review of Luther Blissett and Sonja Brünzels (eds.), “Handbuch der Kommunikationsguerilla”], in: Sklaven, Nr. 52, Berlin 1997, reprinted in: Mario Mentrup (ed.): Printidentitäten. Berlin: Maas Verlag, 2000, 127-133
1996
Der Glaube, Dein Feind und Helfer, in: Sklaven, Nr. 48, Berlin 1996 and in: Mario Mentrup (ed.): Printidentitäten, Berlin: Maas Verlag, 2000, 118-126
1991
About the Art Strike, in: Stewart Home (ed.), The Art Strike Papers, Stirling: A.K. Press, 1991, 34f.
Journalism
with Tatiana Bazzichelli: Berlin Off Sex, in: Blue, Milan, 8/2006
The opencontent.org Debacle, in: MUTE, Culture and Politics after the Net, Nr. 27, 2004, 10-11
CODE: Chances and Obstacles in the Digital Ecology (review of the conference CODE, Cambridge Univsersity), in: MUTE, Culture and Politics after the Net, 2001
Sperrige Schönheit, KDE 2.0 und Nautilus versprechen ein einfaches Linux, in: Berliner Zeitung, 28/11/2000
Mehr als Journalismus: Slashdot.org, in: Berliner Zeitung, 25/4/2000.
Die Spielregeln bestimmen jetzt die Aktionäre: Sourceforge.net, in: Berliner Zeitung, 27/3/2000
Review of Reinhard Kaiser, Literarische Spaziergänge im Internet, in: Die Welt, Frankfurt Book Fair special, spring 1997
Netzbibliotheken und Versmaschinen (three-part series), in: Die Welt, 27/7/1996-30/7/1996
Media projects and collaborations with artists and designers
with Mariëtte Groot & changing collaborators, NL: Neuropäpste (band & performance project, with live performances at De Player, Rotterdam, OCW, Rotterdam, Wall Gallery, Rotterdam, Stichting Perdu, Amsterdam), published by Eigenbau Records, http://eigenbau.rowenta.cc
(consultant:) Filmwerkplaats collective (Lichun Tseng, Nick Aberson, Esther Urlus, Nan Wang), Hometown (feature film, premiere at International Film Festival Rotterdam, 2015)
Sunset Boulevard: A Neoist Research Project (8mm film commissioned by Echo Park Film Center, Los Angeles), 2014
with Istvan Kantor, CA: Neoist Exercise: Don’t blink for the duration of one roll of 16mm film (16mm film, shown at Diagonale, Berlin 2014 & Schmalfilmtage, Dresden, 2015)
for Cora Schmeiser, NL: film loop for voice poetry performance, Rotterdam, 2012
(actor:) WORM.filmwerkplaats collective: Ctrl Alt Esc from Rotterdam (feature film, premiere at International Film Festival Rotterdam 2011)
with Jeroen Kuster, NL: Sucking Life (radio play produced for Klangendum/WORM.studio, Rotterdam, broadcasted on Café Sonore, VPRO Radio, NL, 2010)
with Coolhaven (Hajo Doorn, Lukas Simonis, Peter Fengler), NL: Art is a Luxury (performance at CBK Rotterdam, 2010)
with Stéphanie Vilayphiou, FR/BE: Anti-Copyright in Artistic Subcultures, 2009, http://www.manystuff.org/?p=9259#.Vd79V_ntlBc
with Nina Hitz, NL: points of production (performance at Noordkaap, Dordrecht, 2009)
with moddr_labs (Gordan Savicic, Danja Vassiliev, Walter Langelaar), NL: floppy films, http://floppyfilms.pleintekst.nl (exhibited at iMAL, Brussels, 2010)
with Cornelia Sollfrank, Germany/UK:
with Mez Breeze, Australia: iso.pro.txt.vim.tex.swap, collaborative Internet text, 2005, repreinted in: Mez Breeze, Human Readable Messages, Vienna: Traumawien, 2011, 176-184
http://pleintext.nl, text generator on the basis of Georges Bataille’s “History of the Eye”, awarded with the “Junggesellenpreis für Netzliteratur” (“Bachelor Prize for Net Literature”) by Literaturhaus Stuttgart, 2005
with Wilfried Hou Je Bek, Netherlands: Speculative Programming, workshop at transmediale.03, Berlin, 2003
with Alan Sondheim, USA: editor of the Nettime Unstable Digest, a weekly digest of E-Mail codework on the Nettime mailing list, 2002-2004 http://www.netzliteratur.net/cramer/unstable_html
with Sebastian Luetgert, Germany: txtwarez, computer programs to circumvent copyright of literary texts, Honorary Mention by the software art jury of transmediale.02, 2002
(contributor & co-editor:) runme.org, online repository and critical guide to software art projects, initiated by Alexei Shulgin and Olga Goriunova (Moscow), 2002
with Tilman Baumgärtel, Germany: administrator of the German-language net cultural mailing list rohrpost from 2001 to 2004,
permutations, http://permutations.pleintekst.nl: web reconstructions of historical algorithmic poetry, awarded with a special Pegasus ’98 Prize for Internet Literature by Die Zeit, Radio Bremen and IBM Germany, 1998
(member:) The Official..TV Audience..Medium Band, project by tENTATIVELY, a cONVENIENCE, Akademie der Künste Berlin, 1994